Sunday, November 29, 2015

5 Things We Want to See in ‘Alien: Covenant’

Alien: Covenant
Now that Twentieth Century Fox has officially announced the Prometheus sequel/Alien prequel Alien: Paradise Lost Alien: Covenant as a real project that is in development, fans around the world can rejoice over the fact that we are finally getting another Alien movie. That being said, many people were disappointed in Prometheus, especially those who were expecting more of an actual Alien film. Personally, I enjoyed the film on its own terms but can’t help but wish for a film with more Xenomorphs (and not this kind of Xenomorph). Here is a list of five things we really want to see in Alien: Covenant. Please listen to us!

1. Horror

With the exception of Elizabeth’s grotesque C-section sequence, Prometheus didn’t offer much in the way of horror. It was more a straight science-fiction film that posed many questions and failed to provide any answers. If Ridley Scott is going to title his movie Alien: Covenant, then he better damn well make it an Alien film. Give us some horror! This doesn’t necessarily mean gore, but make the central villain intimidating and scary. The Engineers were interesting villains, but they were hardly scary.
Alien: Covenant

2. Tone Down the Religion

This could be a controversial request, but the overemphasis on religion turned a lot of people off from Prometheus. That film stood apart from the Alien films because it opted to take a different, more religious approach to the mythology. This is all well and good, and had the film not been billed as a prequel to Alien, those aspects may have been better received by the general public. Now that the sequel actually has the work “alien” in the title, the film will most likely tone down the religious aspects and focus more on what so many people love about the original franchise: aliens.
Alien: Covenant

3. Xenomorphs

Speaking of aliens, let’s get more of them in the film! Real xenomorphs though, not whatever that thing was in the closing moments of Prometheus.
Alien Covenant

4. Winking Tributes to the Original Alien

Part of the problem with prequels is that they feel too compelled to connect the dots between them and the original films. The closing tag of Prometheus, with its non-xenomorph felt tacked on an unnecessary. For the most part, the film did a good job separating itself from the original franchise, which made its epilogue feel even more out of place. Alien: Covenant should feature subtle connections to Alien, but not glaringly obvious ones that take you out of the film.
Alien: Covenant

5. Elizabeth Shaw

The official synopsis for Alien: Covenant mentions Michael Fassbender’s David, but fails to mention Noomi Rapace’s Elizabeth Show. It’s possible the studio is saving her reveal for a later date, but it’s posible they’re going to go the Alien 3 route and kill her of in the opening credits like Newt at Hicks. PLEASE DON’T DO THAT. It wasn’t cool in 1992 and it won’t be cool in 2017. Like it or not, Shaw is the Ripley of this franchise. After what she experienced in Prometheus, it would be fun to see a hardened Shaw kick some ass. Bring her back Mr. Scott!
Alien: Covenant
What are some things you would like to see in Alien: Covenant? Let us know in the comments below or shoot me a Tweet!

Neill Blomkamp’s ‘Alien’ Will Focus On Newt?!

Newt ALIENS image via FOX
Here’s how to erase all of the Alien sequels from existence…
Right now all eyes are on Ridley Scott’s Alien prequel/Prometheus sequel, Alien: Covenant, which is shooting in February/March for release on October 6, 2017.
When Scott decided to focus solely on this franchise, it forced Fox to indefinitely delay Neill Blomkamp’s already announced Aliens sequel, which would bring Sigourney Weaver and Michael Biehn back, while ignoring the third and fourth films in the franchise.
Biehn spoke candidly with Icons of Fright, in which he reveals that Blomkamp will bring Newt back, while also using her to further the franchise (in a new direction).
“They’re planning on bringing me and Newt back and at this point Newt will be around twenty-seven years old. I know that every actress in Hollywood is going to want to play this one, it’s really a passing of the torch between Sigourney and this younger actress who would play Newt. It would keep the franchise alive and the studios would make money, because that’s what the bottom line is now: money.“
First of all, this is genius as Blomkmap has found a way to legitimately exit the path that leads to Alien3 and Alien: Resurrection. By bringing Newt back, they can reintroduce her character, and lead her down a separate hallway of sequels that live parallel to the others that already exist. I’m a huge fan of Newt’s character because of what she stands for in James Cameron’s Aliens. I’ve always loved Cameron’s director’s cut, which focused more on the dramatic aspects of Ripley, and how she’s lost her daughter – thus, Newt becomes her motivation. I’m in the extreme minority, but I prefer this cut.
Biehn feels strongly that the sequel will happen, eventually, mostly because it would be an egg to the face of Sigourney and himself:
“I know that Ridley’s focus is on the second PROMETHEUS (now titled ALIEN: COVENANT) and I’m sure that he and Fox both don’t want that and Neill’s movie to come out right next to each other, because they’re kind of two different worlds, with ALIENS taking place thousands of years later, which is how they explained it all to me, but at the same time, they want to give them a similar feel. I know they’re putting the brakes on Neill’s movie just for a little while, but I really think that it would be embarrassing to Ridley and Fox and Sigourney if they just didn’t make the movie.”
While a studio is a soulless entity that could care less about feelings, it does love its money, and the concept Biehn is sharing sounds like they’ll be swimming in the Benjamins. I think it’s important for Scott to be focused on the producing end, especially if there’s to be a similar feel. I can’t see anyone having the time and energy to both make their own film and produce one on the side. The indefinite delay is the right move here. Still, let’s hope that Blomkamp’s sequel doesn’t get lost in space.
Newst ALIENS image via FOX

The lovely Movie-2015

Amber Heard Villainess
The horror genre has seen its fair share of villains, but it’s the villainesses who prove to be the most memorable. One thing many of them share in common are their extremely good looks. Many of the women on this list use their sexuality to lure men to their deaths. Below is a list of 10 of the sexiest horror movie villainesses! ***Minor SPOILERS to follow.***

The Bride (Elsa Lanchester) – The Bride of Frankenstein

The Bride is technically not a villainess, and she only has about 5 minutes of screen time before she is killed, but she provides a perfect foil for Frankenstein’s monster. She is as beautiful as he his hideous. One look at him and she is terrified, leading the monster to kill himself and the Bride.
Vilainess

Julia Cotton (Clare Higgins) – Hellraiser 1 & 2

Julia is sensual and deadly, two traits that do not go well together. She is also a despicable human being, having an affair with Frank, her husband’s brother, whom she later helps murder innocent people for the sake of restoring his body from the Cenobites. She’s even worse in Hellraiser II, since she must now kill people herself to get restored to her original state (which she does much quicker than Frank did, I might add). She uses her beauty to lure men to their deaths and definitely earns a place on this list.
Julia Cotton Vilainess

Santánico Pandemonium (Salma Hayek/Eiza González) – From Dusk Till Dawn

Santánico has now been portrayed by two very beautiful actresses, and she is one evil vampire. Well, at least in the film she is. The series turned her into a tragic antiheroine, but I’ll include her on this list anyway, because González is simply stunning.
From Dusk Till Dawn
From Dusk Till Dawn

Sil (Natasha Henstridge) – Species

Sil’s “job” is to be sexy. She is a deadly man-made human/alien hybrid whose sole purpose is to mate and create more alien babies. Henstridge was a supermodel at the time, so it was a smart move to cast her as the alien seductress.
Natasha Henstridge Villainess

Tiffany (Jennifer Tilly) – Bride of Chucky

Some people are annoyed by her voice (I actually kind of like it), but Tilly made Tiffany the perfect partner for Brad Dourif’s Chucky. While we only got to spend a short amount of time with her before she was turned into a doll, but at least we got that super hot dance scene before she turned.
Jennifer Tilly Villainess

Evelyn Price (Famke Janssen) – House On Haunted Hill

Evelyn is sultriness personified. She’s also a selfish bitch. Janssen’s greatest femme fatale is most definitely Xenia Onatopp from GoldenEye, but since that’s not a horror movie I had to resort to House on Haunted Hill, but she’s still a great villainess in the film. Once again, we have a female character who uses her sexuality to dupe the male characters in the film, and she’s great at it.
Famke Janssen Villainess

Ginger Fitzgerald (Katherine Isabelle) – Ginger Snaps

Katherine Isabelle (most recently seen on NBC’s now cancelled Hannibal) is a fantastic actress, and her breakout role in Ginger Snaps is one of her best performances. Ginger, with her gray streak reminiscent of X-Men’s Rogue, is a beautiful creature, and an even deadlier werewolf.
Katherine Isabelle Villainess

Asami Yamazaki (Eihi Shiina) – Audition

You can’t blame Aoyama for becoming infatuated with Asami, though his methods of finding her were despicable (he held auditions for a girlfriend). She is a sleek, sexy and also batshit insane. Audition is most famous for its hard-to-watch final sequence, but Shiina competely owns the film in every frame she is in with her seemingly innocent demeanor and eventual reveal into total insanity.
Audition Villainess

Baby Firefly (Sheri Moon-Zombie) – House Of 1000 Corpses/Devil’s Rejects

Everyone loves Captain Spaulding, but Baby was always my favorite member of the Firefly clan. She is completely unhinged, but there is just something so incredibly sexy about Zombie’s portrayal, who even describe baby as “the angelic-looking bait to get the victims.”
Sheri Moon-Zombie

Mandy Lane (Amber Heard) – All The Boys Love Mandy Lane

Mandy Lane was the girl that all the boys had to have in All The Boys Love Mandy Lane. Formerly an unattractive geek (which I wish the film would have shown us), she partners with her friend Emmett in an agreement to murder all of their tormenters and suicide pact (which she later backs out of). Heard is undeniably sexy in the role and the perfect actress to play Mandy Lane.
Amber Heard Villainess
Those are just my picks! What are some of yours? Let me know in the comments below or Tweet me!

THE ACTION MOVIE GLADIATOR:

GLADIATOR:THE REAL STORY
              FULL MOVIE DOWNLOAD FREE 
This site provides historical insight into the actual characters and events portrayed in Ridley Scott's film Gladiator. It discusses the film's plot and ending, so if you have not seen the movie yet, you may want to come back later! I would not want to spoil it for you!
contact the web master by emailing david(at)exovedate.com (note: replace (at) with the @ symbol)
Copyright © David Neelin: All Rights Reserved

IS THE FILM GLADIATOR A TRUE STORY?
Yes and no.
While it is obvious that an impressive amount of historical and scholarly research was undertaken by the filmmakers, much of the plot is fiction. The fiction does however, appear to be inspired by actual historical events, as will be shown in the appropriate sections below. In this sense, the film is perhaps best seen as a collage, or artistic representation of ancient history, as opposed to an accurate, chronological, reconstruction of events.
It also appears that Scott attempts to present not just a reconstruction of empirical facts, but also desires to present to us his vision of the culture of ancient Rome, the spirit of its time, and the psychological outlook characteristic of its period. In other words, its zeitgeist, and for the psychology of the characters, their mentalite. On that note, Ridley Scott, much to his credit, has gone further than any filmmaker before him. Only Fellini, in The Satyricon, has attempted to do this before, and in so doing, Scott, while historiographically imperfect, avoids many of the annoying anachronisms of psychology present in such films as Spartacus, Cleopatra, and Ben Hur.
Clearly, director Scott, and screenwriter David Franzoni, understand that history is more than a regurgitation of empirical data, and that to understand a society, one must be able to do more than recite names and dates, one must also attempt to understand the psychology and culture of its characters. Hence the film emphasizes Maximus's worship of his family and ancestors, his obsessive compulsion for virtue and duty, and the stoical elements ever present in his character.
WHAT WAS MARCUS AURELIUS REALLY LIKE?

Marcus Aurelius was, as well as emperor from 161 to 180 CE, a stoic philosopher. He really did wage battles along the frontier as depicted in the film, and is remembered by historians of his time as a competent ruler, whom they favour. His name in full was Imperator Caesar Marcus Aurelius Antoninus Augustus, and these are the titles to which he would have been referred, not the anachronistic "sire" and "my lord" as in the film.
His work The Meditations, although more a compilation of existing stoical thought than a work of great originality, remains a highly readable classic in philosophy.
An interesting fact omitted in the film, was that his adoptive brother and husband to daughter Lucilla, Lucius Verus, was made co-emperor with Marcus. In the time of the Republic, Rome was not ruled by emperors, but rather by two consuls. These consuls, with equal power, were to guard against dictatorship. So, perhaps Marcus really did have Republican inclinations, as attested to in the film, or perhaps this was a Machiavellian maneuver undertaken in an attempt to avoid the fate of the perceived dictator Julius Caesar. This was the first time in history that the Roman Empire had two joint emperors of formally equal constitutional status and powers, although in reality, Marcus was clearly the ruler of Rome.
WHAT WAS COMMODUS REALLY LIKE?
If the ancient sources can be trusted, Commodus was even more bizarre in real life than he was in the film.
Commodus, whose full name was Caesar Marcus Aurelius Commodus Antoninus Augustus, was proclaimed Caesar at age 5 and joint emperor (co-Augustus) at the age of 17, in 177 CE, by his father, Marcus Aurelius. Reality was very different than the film in this instance. Commodus was, as depicted in Gladiator, present with his father during the Danubian wars, and yes, this is where Marcus Aurelius died. As for the actual circumstances of his father's death, see below.
Historians from the time of Commodus have not been kind to him. As aristocratic intellectuals, they were not amused by his crude antics. Hence, our present day historiography still reflects, rightly or wrongly, this ancient bias. His father, possessing the virtues seen as noble by the literate aristocracy, was, and often still is, regarded as a great man, while his son was hated by the Senate and ridiculed by historians. Yet it is said that the army and the lower classes loved him. Cassius Dio, a senator and historian who lived during the reign of both Commodus and his father wrote, in regards to the accession of Commodus, that "our history now descends from a kingdom of gold to one of iron and rust, as affairs did for the Romans of that day."
Indeed, some historians even question his sanity. Commodus, in his own time, was accused of being a megalomaniac. He renamed Rome Colonia Commodiana, the "Colony of Commodus", and renamed the months of the year after titles held in his honour, namely, Lucius, Aelius, Aurelius, Commodus, Augustus, Herculeus, Romanus, Exsuperatorius, Amazonius, Invictus, Felix, and Pius. The Senate was renamed the Commodian Fortunate Senate, and the Roman people were given the name Commodianus.
Historian Aelius Lampridius tells us that "Commodus lived, rioting in the palace amid banquets and in baths along with 300 concubines, gathered together for their beauty and chosen from both matrons and harlots... By his orders concubines were debauched before his own eyes, and he was not free from the disgrace of intimacy with young men, defiling every part of his body in dealings with persons of either sex."
Commodus went so far as to declare himself the new founder of Rome, a "new Romulus". In attempting to boast a new "Golden Age" of Rome, he was clearly emulating his father. But the effect was to make him the laughing stock of the aristocratic class.
DID COMMODUS REALLY KILL HIS FATHER?
Maybe.
Some sources suspect that he did. The fact that he was present at the time, made a hasty peace with the enemy, and a quick retreat back to Rome in a victory triumph, has fueled speculation. The official story is that Marcus Aurelius died of plague.
DID COMMODUS REALLY FIGHT AS A GLADIATOR?
Yes!
In this case, the truth is even stranger than the fiction. Commodus claimed to be descended from the God Hercules, and even began to dress like him, wearing lion skins and carrying a club.
The historian Herodian wrote that "in his gladiatorial combats, he defeated his opponents with ease, and he did no more than wound them, since they all submitted to him, but only because they knew he was the emperor, not because he was truly a gladiator."
He also fought wild beasts. Dio Cassius wrote that Commodus killed five hippopotami at one time. He also killed two elephants, several rhinoceroses, and a giraffe "with the greatest of ease".
Herodian tells us further that Commodus had a special platform constructed which encircled the arena, from which he would display his skills as a hunter. He is recorded to have killed one hundred leopards with one hundred javelins. As a theatrical treat, he would slice the heads off of ostriches with crescent-headed arrows, which would then run around the amphitheater headless.
Dio Cassius reveals that Senators were made to attend these spectacles, and that on one occasion Commodus killed an ostrich and displayed the severed head in one hand, his sword dripping with blood in the other, thus implying that he could treat them the same way.
DID COMMODUS REALLY DIE IN THE ARENA?
No.
However he was assassinated, and, by an athlete. There were numerous plots and attempts upon his life, but the one which finally succeeded was carried out by a wrestler named Narcissus, while Commodus was in his bath. The plot was orchestrated by his closest advisors, and apparently even included his mistress, Marcia.
It occurred on the last day of the year 192. It was believed that Commodus planned to kill the consuls-elect, and be sworn in as consul himself. This he reportedly was going to do dressed as a gladiator, in his lion skins. This was the final outrage. His fate was sealed.
Commodus ruled for 12 years, a much longer period than alluded to in the film. Dio Cassius wrote that Commodus was "a greater curse to the Romans than any pestilence or any crime."
WAS THE REPUBLIC RESTORED AFTER THE DEATH OF COMMODUS?
No.
The film is wrong on this count. A republic is a system of government which does not have a hereditary monarch. An emperor is a monarch. The United States is a republic, and England is not.
Rome was not founded as a republic, as was stated by a senator (who should have known better) in the film. Legend has it that Rome was originally ruled by Etruscan kings. The first king was Romulus. The kings were overthrown in a revolution, which was sparked by the rape of Lucretia, in 509 BCE, by Sextus Tarquin, the son of the seventh and last king, Tarquinius Superbus.
Dictators and kings were thereafter despised by Romans, hence, the ideological adulation of a republican system of government, which was a central theme of both Roman history and the movie.
After Commodus was murdered, the Senate met before daybreak, and declared sixty-six year old Pertinax, who was the son of a former slave, emperor. Pertinax thus became emperor on January 1st, but he was murdered by a group of soldiers the following March, after less than three months in power.

WHAT WAS MAXIMUS REALLY LIKE?

Maximus Decimus Meridius (his full name is stated only once in the film) is a fictitious character!

Although he did not exist, he seems to be a composite of actual historical figures. In the film, Maximus was Marcus Aurelius' general. There was in fact a general by the name of Avidius Cassius, who was involved in the military campaign shown in the film, and, upon hearing a rumor of Marcus Aurelius' death, declared himself emperor. He however, was assassinated by his own soldiers. It is true that there was, in the later Empire, a General by the name of Maximus who appears to have had revolutionary intentions. He is most likely an inspiration as well.
Maximus also reminds one of the emperor Diocletian. Remember that in the film, Marcus Aurelius names Maximus as his heir. Diocletian, who ruled Rome from 284 to 305 CE, was born in the lower classes, like Maximus. He eventually became his emperor's trusted favourite and bodyguard, and later became a general. Finally he was named heir, and thus became emperor.
Commodus, in reality, was not murdered in the arena by Maximus. He was however murdered by a wrestler. So the character Maximus, while fictitious, is not that far-fetched. He appears to be collage of other, real, historical figures.
As for his personality, he was definitely a stoic, as evidenced by his sense of obligation to the state, and concern for duty and virtue. This makes sense, given his admiration for Marcus Aurelius, who was a stoic philosopher. One difficulty is, even though many Romans (and not just Christians) believed in an afterlife, stoics usually did not. So this is problematic with regards to his character in the film.
DID SENATOR GRACCHUS REALLY EXIST?
No.
The ideology which he represents is however, somewhat authentic. Senator Gracchus appears to be based upon Tiberius and Gaius Gracchus. During the Republic, these two brothers, were, one after the other, plebeian tribunes (not senators). They were champions of the common people, and paid the cost with their lives.
Tiberius Gracchus was elected tribune of the people in 133 BCE, and fought for reforms of benefit to the plebeians. He was murdered by opponents. His brother Gaius was elected tribune of the people in 123 BCE, and attempted the continuation of popular reforms. He was also murdered. It is problematic that in the film Gracchus was a senator, in the sense that it was the senatorial class which opposed Gauis and Tiberius, and even participated in their murder.
The political infrastructure of ancient Rome evolved over time, and was actually more complex than portrayed in the film. Other important political entities, along with the Senate, were the Plebeian Tribunate, as well as the Comitia Centuriata. These, along with two Consuls who would rule jointly, are the basic Republican institutions so cherished by Romans, and which emperors would claim to restore.
DID LUCILLA REALLY PLOT AGAINST HER BROTHER?
Yes.
Commodus really did have a sister Lucilla, and she hated her brother. Lucilla was at one time married to Lucius Verus, as her son tells Maximus in the film. What is not said is that Verus was co-emperor with Marcus Aurelius. Lucilla conspired against Commodus, and attempted to have him assassinated in 182 CE. Commodus banished Lucilla to the island of Capreae as punishment, and ordered her execution shortly after. So, unlike the film portrayal, Commodus actually outlived Lucilla.
Incidentally, it was his other sisters, not Lucilla, that he reputedly had sexual relations with.
DID WOMEN REALLY FIGHT IN THE ARENA?
Yes.
Some criticism by film reviewers has been levied towards Scott for having a female gladiator. However, the ancient sources are clear; they did in fact exist. Tacitus, for instance, wrote that Nero staged "a number of gladiatorial shows, equal in magnificence to their predecessors, though more women of rank and senators disgraced themselves in the arena". Petronius, in The Satyricon, wrote of female charioteers. Dio Cassius explained how some women performed asvenatores, that is gladiators who fought wild beasts. The Emperor Domitian staged games in which women battled pygmies.
Women were forbidden from gladiatorial performances shortly after the time of Commodus, by the emperor Alexander Severus, in 200 CE.
WHAT'S WITH THE TATTOO WORN BY MAXIMUS?
S.P.Q.R., the letters of the tattoo worn by Maximus, was an abbreviation for an oft used Latin phrase whose English translation is "the Senate and People of Rome".
The Latin word for "tattoo" was stigma, and our modern meaning of stigmatize, as a pejorative, has clearly evolved from the Latin. It was slaves, gladiators, criminals, and later, soldiers, who were tattooed, as an identifying mark.
Upper class Romans did not partake in tattooing, which they associated with either marginal groups, or foreigners, such as Thracians, who were known to tattoo extensively. The emperor Caligula is said to have forced individuals of rank to become tattooed as an embarrassment.
In late antiquity, the Roman army consisted largely of mercenaries, they were tattooed in order that deserters could be identified.
The sixth century Roman physician, Aetius, wrote that:
"Stigmates are the marks which are made on the face and other parts of the body. We see such marks on the hands of soldiers. To perform the operation they use ink made according to this formula: Egyptian pine wood (acacia) and especially the bark, one pound; corroded bronze, two ounces; gall, two ounces; vitriol, one ounce. Mix well and sift... First wash the place to be tattooed with leek juice and then prick in the design with pointed needles until blood is drawn. Then rub in the ink."
The Christian emperor Constantine, ca. 325 AD, decreed that individuals condemned to fight as gladiators or to work in the mines could be tattooed on the legs or the hands, but not on the face, because "the face, which has been formed in the image of the divine beauty, should be defiled as little as possible."
In 787, Pope Hadrian the First prohibited tattooing altogether, due to its association with superstition, paganism, and the marginal classes.

VISIT: TIMELINE: ANCIENT ROME



ACTON MOVIE Mad Max 2015 action film






























FREE DOWNLOAD FULL MOVIE 

Mad Max: Fury Road is a 2015 action film directed and produced by George Miller, and written by Miller, Brendan McCarthy andNico Lathouris. The fourth instalment in the Mad Max franchise, it is an Australian and American[6] venture produced by Kennedy Miller Mitchell, RatPac-Dune Entertainment and Village Roadshow Pictures. The film is set in a future desert wasteland where gasoline and water are scarce commodities. It follows Max Rockatansky (Tom Hardy), who joins forces with Imperator Furiosa(Charlize Theron) to flee from cult leader Immortan Joe (Hugh Keays-Byrne) and his army in an armoured tanker truck, which leads to a lengthy road battle. The film also features Nicholas Hoult, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, and Courtney Eaton.
Fury Road was in development hell for many years, with pre-production starting as early as 1997. Early attempts were made to shoot the film in 2001 and 2003, but were delayed due to the September 11 attacks and the Iraq War. Mel Gibson, originally set to reprise his role as Max, departed from the project after the cancellation. In 2007 after focusing on Happy Feet, Miller decided to pursue producing the film again. Miller briefly considered producing it as a computer-animated film but abandoned it in favor of live-action. In 2009, Miller announced that filming would begin in early 2011. Hardy was cast as Max in June 2010, with production planned to begin that November. Principal photography was delayed several more times before beginning in July 2012. The filmwrapped in December 2012, although additional footage was shot in November 2013.
The film had its world premiere on 7 May 2015 at the TCL Chinese Theatre. It began a worldwide theatrical release on 14 May 2015, including an out-of-competition screening at the 68th Cannes Film Festival, in 2D, 3D, IMAX 3D and 4DX. It received significant acclaim from critics, who praised it for its acting, direction, screenplay, visual storytelling, score, practical effects, stunts, and action sequences. The film has grossed over $374 million worldwide, making it the highest grossing film in the Mad Maxfranchise.                                                                                                                                                                                FREE DONWLOAD

Plot

Following a nuclear holocaust, the world has become a desert wasteland and civilization has collapsed. Max Rockatansky, a survivor, is captured by the War Boys, the army of the tyrannical Immortan Joe, and taken to Joe's Citadel. Designated a universal blood donor, Max is imprisoned and used as a "blood bag" for a sick War Boy called Nux. Meanwhile, Imperator Furiosa, one of Joe's lieutenants, is sent in her armored truck, the "War Rig", to collect gasoline. When she drives off-route, Joe realizes that his five wives—women selected for breeding—are missing. Joe leads his entire army in pursuit of Furiosa, calling on the aid of nearby Gas Town and the Bullet Farm.
Nux joins the pursuit with Max strapped to his car to continue supplying blood. A battle ensues between the War Rig and Joe's forces. Furiosa drives into a sand storm, evading her pursuers, except Nux, who attempts to sacrifice himself to destroy the Rig. Max escapes and restrains Nux, but the car is destroyed. After the storm, Max sees Furiosa repairing the Rig, accompanied by the Wives: Capable, Cheedo, Toast, the Dag, and Angharad, who is heavily pregnant with Joe's child. Max steals the Rig, but its kill switch disables it. Max reluctantly agrees to let Furiosa and the Wives accompany him; Nux, left behind, is picked up by Joe's army.
Furiosa drives through a biker gang-controlled canyon to barter a deal for safe passage; however, with Joe's forces pursuing, the gang turns on her, forcing her and the group to flee while the bikers detonate the canyon walls to block Joe. Max and Furiosa fight pursuing bikers as Joe's car, with Nux now on board, surmounts the blockade and eventually attacks the War Rig, allowing Nux to board. However, as the Rig escapes, Angharad falls off in an attempt to protect Max and is run over by Joe's car, killing her and her child.
Furiosa explains to Max that they are escaping to the "Green Place", an idyllic land she remembers from her childhood. Capable finds Nux hiding in the Rig, distraught over his failure, and consoles him. That night, the Rig gets stuck in mud. Furiosa and Max slow Joe's forces with mines, but Joe's ally, the Bullet Farmer, continues pursuing them. Nux helps Max free the Rig while Furiosa shoots and blinds the Bullet Farmer. Max walks into the dark to confront the Bullet Farmer and his men, returning with guns and ammunition.
musical BY
The musical score for Mad Max: Fury Road was written by the Dutch composer Junkie XL.[70] Prior to Junkie XL's involvement, John Powell and Marco Beltrami were attached at separate times to score the film.[71][72] After hearing Junkie XL's score for 300: Rise of an Empire,[73] Miller met with the composer in Sydney. "I got very inspired and started writing pieces of music for scenes," said Junkie XL. "The initial main themes were written in the four weeks after that first meeting and those themes never changed."[74] A soundtrack album was released by WaterTower Music on 12 May 2015

First Blood action movie

First Blood (also known as Rambo or Rambo: First Blood outside the United States), is a 1982 action/thriller film directed by Ted Kotcheff. The film stars Sylvester Stallone as John Rambo, a troubled and misunderstood Vietnam War veteran, with Sheriff Will Teasle (Brian Dennehy) as his nemesis, and Colonel Samuel Trautman (Richard Crenna) as his former commander and only ally. It was released on October 22, 1982. Based loosely on David Morrell's 1972 novel of the same name, it was the first of the four-film and ongoing Rambo series. Unlike the following sequels which were war adventure films set in foreign countries, First Blood was a  post-Vietnam War psychological thriller set in the United States. First Blood particularly lacks the gore and violence that would later become a trademark of the series.
Since its release, First Blood has been a critical and commercial success, and has had a lasting influence on the genre. It has also spurred countless parodies. The film is notable for its psychological portrayal of the after-effects of the Vietnam War, particularly the challenges faced by American veterans attempting to re-integrate into society, something not deeply examined in subsequent Rambo movies.
In 2008, the film was chosen by Empire magazine as one of The 500 Greatest Movies of All Time.

HOT MOVIE The Raid







This film is about violence. All violence. Wall-to-wall violence. Against many of those walls, heads are pounded again and again into a pulpy mass. If I estimated the film has 10 minutes of dialogue, that would be generous.
What am I to say? "The Raid: Redemption" has a rating of 93 percent on the Tomatometer. It is being hailed as a breakthrough in martial-arts films. It is "hard-driving, butt-kicking, pulse-pounding, bone-crunching, skull-smashing, bloodcurdling" (Hollywood Reporter) and "largely a hand-to-hand, fist-to-face, foot-to-groin battle, with a few machetes and guns tossed in for good measure" (Variety).




The trade papers are correct. I am dismayed. I have no prejudice against violence when I find it in a well-made film. But this film is almost brutally cynical in its approach. The Welsh director, Gareth Evans, knows there's a fanboy audience for his formula, in which special effects amp up the mayhem in senseless carnage.
There's obviously an audience for the film, probably a large one. They are content, even eager, to sit in a theater and watch one action figure after another pound and blast one another to death. They require no dialogue, no plot, no characters, no humanity. Have you noticed how cats and dogs will look at a TV screen on which there are things jumping around? It is to that level of the brain's reptilian complex that the film appeals.
"The Raid: Redemption" is essentially a visualized video game that spares the audience the inconvenience of playing it. There are two teams, the police SWAT team and the gangsters. The gangsters have their headquarters on the top floor of a 15-story building, where they can spy on every room and corridor with video surveillance. The SWAT team enters on the ground floor. Its assignment: Fight its way to the top, floor by floor.
Most of the building's residents are living rent-free and are loyalists to the ganglord. Young kids are "spotters," who sound the alarm. Most fighters on both sides are armed with automatic weapons, swords, machetes, clubs and knives, but they prefer hand-to-hand combat. One fighter explains: "Squeezing a trigger? That's like ordering takeout."
The film opens by introducing rookie cop Rama (Iko Uwais), who recites his morning prayers on a prayer rug, undergoes a grueling physical workout and then tenderly kisses his pregnant wife goodbye. He will be our avatar. The van carrying his team parks in front of the building and is met by a gray-haired man wearing a bulletproof vest over a bright sports shirt. He is the lieutenant, who has set up the raid. Wearing clothes that make you stand out from all the others is a dimwitted move, but then again how bright is Tama (Ray Sahetapy), the crimelord, by barricading himself on the top floor? Elementary strategy suggests he can be cornered there. He reminds me of my beloved movie cliche, the Climbing Killer.
What country are we in? The movie never tells us. (It was filmed in Indonesia.) Establishing Rama as a Muslim seems pointless, except as a cheap fakeout in character development. No one in the film has a personality; they are all ruthless fighters without a brain in their heads. Is the lieutenant up to something? What? And why?
I neglected one plot point that is major by default, since there are so few. One of the gangsters is Rama's brother. Thus it is inevitable that they eventually will hold each other's lives in their hands and resolve deep childhood feelings to their satisfaction, if not to ours. At the end, we see a lone figure walking slowly away from the camera while the music supplies a paroxysm of significance. Can we hope to see Rama's baby?
Some of the hand-to-hand battles are shameless in how they mimic video games. A fighter stands in a corridor and demolishes an enemy. As the enemy falls, another springs into position from around corner, ready to be demolished in turn. Then another. It's like they're being ejected by an automatic victim dispenser.
A detail. What does "Redemption" mean in the title? Who, or what, is redeemed, and how? If you kill lots of people and are still alive, have you been redeemed? If you and your brother don't kill each other after almost everyone else does, is that redemption? Or is "redemption" just one of those title words like "reloaded" or "destiny" to help people tell movies apart?